Editorial Board

Martin Dixon is a lecturer in the Department of Music and a member of the Centre for Music Technology at the University of Glasgow.

Simon Emmerson is Professor of Music, Technology and Innovation at De Montfort University, Leicester, and a composer and writer on electroacoustic music.

Neal Farwell is a composer of acoustic and electroacoustic music, and Lecturer in Music and Director of the Composition and Recording Studios at the University of Bristol.

Bennett Hogg is a composer, theorist and Lecturer in Music at the University of Newcastle.

Jonathan Impett works with new technology and instruments in live performance, and is Head of the School of Music at the University of East Anglia.

Richard Lewis carried out the technical jobs necessary in order to present this edition on the Web.

Adrian Moore is a composer of electroacoustic music, and Lecturer in Music and Director of the University of Sheffield Sound Studios.

Matt Rogalsky works with various media in live performance and installations, and is based in Kingston, Canada.

Franziska Schroeder is AHRC Research Fellow at the Sonic Arts Research Centre, Queen's University, Belfast.

Peter Stollery is a composer, sound artist and Senior Lecturer in Music at the University of Aberdeen.

Simon Waters is a composer/improvisor, Senior Lecturer in Music and Director of the Electroacoustic Music Studio at the University of East Anglia.

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