Edition #1 Archer
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Intervention and Appropriation: Studies in the Aesthetics of the Homemade in Real-Time Electroacoustic Composition

Phil Archer

School of MusicUniversity of East AngliaNorwichUKNR4 7TJ

Biography

Phil completed his Ph.D. at UEA in September 2004 and is now honorary research fellow.

Copyright (C) Phil Archer 2004

Abstract

The works presented here consist of modified electronic devices, self- programmed computer code and a contextualising text which examines the technological, cultural and aesthetic situation of the pieces. MP3 audio files, listings of the computer code employed and photographic documentation of the objects produced are included with this document. The aim of the investigation is to consider alternative methods of engagement with technology which incorporate accident, error and exploration along with more considered, design-led approaches. To this end the work is examined in relation to sets of contrasting and related concepts - 'composition / improvisation', 'design / modification', 'digital / mechanical', 'precision / chance', 'expertise / inexpertise' - to demonstrate ways in which these notions can inform creative activity. The work of a wide range of artists and theorists whose practices or interests are deemed to lie within similar territory are discussed and compared, and ways in which alternative, personal creative responses to technology can be formulated are suggested.