
Intervention and Appropriation: Studies in the Aesthetics of the Homemade in
Real-Time Electroacoustic Composition
Phil Archer
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School of MusicUniversity of East AngliaNorwichUKNR4 7TJ
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Biography
Phil completed his Ph.D. at UEA in September 2004 and is now
honorary research fellow.
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Copyright (C) Phil Archer 2004
Abstract
The works presented here consist of modified electronic devices, self- programmed
computer code and a contextualising text which examines the technological, cultural
and aesthetic situation of the pieces. MP3 audio files, listings of
the computer code employed and photographic documentation of the objects produced are
included with this document. The aim of the investigation is to consider alternative
methods of engagement with technology which incorporate accident, error and
exploration along with more considered, design-led approaches. To this end the work is
examined in relation to sets of contrasting and related concepts - 'composition /
improvisation', 'design / modification', 'digital / mechanical', 'precision / chance',
'expertise / inexpertise' - to demonstrate ways in which these notions can inform
creative activity. The work of a wide range of artists and theorists whose practices
or interests are deemed to lie within similar territory are discussed and compared,
and ways in which alternative, personal creative responses to technology can be
formulated are suggested.